The most successful film posters do more than explain the narrative, they provide a simple, memorable visual that can live on long after the film’s opening weekend. This was especially true for independent distributors like Cinecom, whose releases had minuscule ad budgets. As a case in point, my key art for Spalding Gray’s Swimming to Cambodia was so striking that Fine Line Features brought me in to create a thematically similar treatment for Gray’s next release, Monster in a Box.
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